Suche Bilder Maps Play YouTube News Gmail Drive Mehr »
Anmelden
Books Bücher 31 - 40 von 44 in What the back-ground is in painting, in architecture is the real ground on which...
" What the back-ground is in painting, in architecture is the real ground on which the building is erected ; and no architect took greater care that his work should not appear crude and hard, that is, that it did not abruptly start out of the ground without... "
An Encyclopædia of Architecture: Historical, Theoretical, and Practical - Seite 216
von Joseph Gwilt - 1842 - 1089 Seiten
Vollansicht - Über dieses Buch

The Princess Charlotte of Wales: An Illustrated Monograph

1885 - 173 Seiten
...advantage. " What the foreground is in painting is the real ground " upon which the building is erected, and no architect took " greater care that his work should not appear crude and " hard—that is, it did not abruptly start out of the ground " without expectation or preparation....
Vollansicht - Über dieses Buch

Good Queen Anne: Or, Men and Manners, Life and Letters in England's ..., Band 1

William Henry Davenport Adams - 1886
...advantage. What the background is in painting, is the real ground upon which the building is erected ; and no architect took greater care that his work should not appear crude and hard ; that is, it did not abruptly start out of the ground without expectation or preparation. This is the tribute...
Vollansicht - Über dieses Buch

Discourses

Sir Joshua Reynolds - 1887 - 283 Seiten
...and no Architect took greater care than he that his work should not appear crude and hard ; that is, it did not abruptly start out of the ground without expectation or preparation. This is a tribute which a Painter owes to an Architect who composed like a painter ; and was defrauded of the...
Vollansicht - Über dieses Buch

Discourses

Sir Joshua Reynolds - 1887 - 283 Seiten
...and no Architect took greater care than he that his work should not appear crude and hard ; that is, it did not abruptly start out of the ground without expectation or preparation. This is a tribute which a Painter owes to an Architect who composed like a painter; and was defrauded of the...
Vollansicht - Über dieses Buch

Sir John Vanbrugh

Sir John Vanbrugh - 1896 - 501 Seiten
...back-ground is in painting, in architecture is the real ground on which the building is erected ; and no architect took greater care that his work should...ground without expectation or preparation." This is a tribute which a painter owes to an architect who composed like a painter, and was defrauded of the...
Vollansicht - Über dieses Buch

A History of Renaissance Architecture in England, 1500-1800, Band 2

Sir Reginald Theodore Blomfield - 1897
...and no architect took greater care than he that his work should not appear crude and hard, that is, it did not abruptly start out of the ground without expectation or preparation." Vanbrugh, as I have pointed out, was not the inventor of this method of design, but he used it very...
Vollansicht - Über dieses Buch

A Short History of Renaissance Architecture in England, 1500-1800

Sir Reginald Theodore Blomfield - 1904 - 323 Seiten
...and no architect took greater care than he that his work should not appear crude and hard, that is, it did not abruptly start out of the ground without expectation or preparation." Vanbrugh, as I have pointed out, was not the inventor of this method of design, but he used it freely...
Vollansicht - Über dieses Buch

Discourses Delivered to the Students of the Royal Academy

Sir Joshua Reynolds - 1905 - 445 Seiten
...and no architect took greater care than he that his work should not appear crude and hard : that is, it did not abruptly start out of the ground without expectation or preparation. This is a tribute which a painter owes to an architect who composed like a painter ; and was defrauded of the...
Vollansicht - Über dieses Buch

A History of Architectural Development ...

Frederick Moore Simpson - 1911
...composition. To support his principal object, he produced his second and third groups, or masses. . . . No architect took greater care that his work should...ground without expectation or preparation." This is high praise, and it is deserved. His buildings do rise from the ground, largely because of the semibasement...
Vollansicht - Über dieses Buch

Cities Built to Music: Aesthetic Theories of the Victorian Gothic Revival

Michael Bright - 1984 - 310 Seiten
...then proceeds to praise Vanbrugh, "an Architect who composed like a Painter," because his buildings "did not abruptly start out of the ground without expectation or preparation" ("Discourse XIII"). In attributing this virtue to Vanbrugh, Reynolds is applying the principle of insensible...
Eingeschränkte Leseprobe - Über dieses Buch




  1. Meine Mediathek
  2. Hilfe
  3. Erweiterte Buchsuche
  4. PDF herunterladen